When he returns from the kitchen, the fog has shifted. Light is filtering in through the high plate-glass windows of the dining room, bright but watered down like ink or wine, and as jelly-fragile as the splatters of yesterday's rain. It blots the blood from colors but leaves no shadows and sharpens his vision impossibly. It makes him imagine that he can see both women at the table as they are, and the sudden honesty -- disconcerts him.
"Do you take milk? Sugar?" he says to the interloper, and sets the tray down at her elbow. The sound of embossed silver hitting the glass of the tabletop makes them both wince.
"Just a slice of lemon, please," she replies, smiling at him and leaning her head towards his at a confidential angle: intimate, although she is his wife's sister, not his, and she is about to argue in a soft, sweet voice with his sister, not him.
He blinks, and pours the tea.
It steadies him to fill each china cup to a certain level and not past, with a precision that belies the tight ache in his wrists. Milk but no sugar for his wife, that he could conjure in his sleep. It blossoms up from the bottom, turning the black liquid a shade as pale and warm as dirty wool. She takes it without waiting for him to pass it to her. Both hands. She does not bother with the delicately curved handle, or wince when the heat bleeds through porcelain to her dry cracking palms. Still, the corner of her mouth deepens with irritation while he peels a slice of lemon off the small dish and hooks it over the rim of his sister-in-law's. When she in her turn does not move, regarding the cup with pleasure as distant as a stranger looking through a cafe window at the menu, he presents it to her, saucer and all, trying to keep the sarcasm out of his back when he leans in his seat to place it before her, to keep the old anger out of his spine.
"Thank you," she says.
Only then does he pull his own towards him and add five sugar cubes and what his wife calls a heretical layer of cream, his stiff fingers deliberate, practiced, if not quite as practiced as they are at preparing according to his wife's taste. (He never drank tea till he married her). They look away, lovely heads turning subtly on long necks, and sip mincing, tight-lipped sips. Their movements rhyme, closely if not exactly matched, and the two are more sisterly in their faint disapproval of his choice in condiments than he has ever seen them be for family or love.
A moment of parallel shadows over tea. It has a kind of broken beauty, but it vanishes like a rainbow off an oilspill when the one sits forward, golden curls spilling over her full cheeks, too saccharine to match her bitter choice of beverage, and the other stops listening before her sister has so much as opened her fat-lipped, wet pink mouth. He can see everything, all right, in this treacherous 4:00 light.
He breathes in steam and closes his eyes.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Thank you both! Edits have been made, Lauren; although I didn't agree with all your changes, I did agree with most.
Hello, Helpful McHelpfulpants! [[Your name is great, btw!]] Anyways, I'll critique as I read though and conclude at the end.
Well, this is certainly something. It is mature and the prose is quietly beautiful. I'm not really sure what to say, other than it had me on nosey tenterhooks, which is I guess a good thing. There was not a great deal of description in terms of the environment they are in, but it actually worked, because every detail was focused on them.
I'm not really sure what's going on with the plot yet, but I'm guessing you'll be writing more? I do like the lack of action--this is contemplative, and awfully grown-up.
I really, honestly enjoyed this piece, though I've never cared for this type of fiction before.
Your description of the sisters delighted me, especially the sister-in-law. How subtle the story was, without true plot or theme was sort of refreshing and relaxing.
"Interloper"? I love it!Repetition? Love it!
I love the contrast in the attitudes of the sisters.
Nice simile
I just had to laugh at that.
Great job! As i said, I really enjoyed it. I saw in the description you said it was "possibly unfinished", but i love the briefness of it, and would rather you keep it the way it is
HASTY CLUMSY EDITS YAY! <3
Thank you thank you thank you. Again.
<3
First things first. I love this, I think. I was totally just talking about 'slice of life' writing with a friend, and this is basically a perfect example. So, let's get down to it.
I. Little Things
I think it would be okay if you could just say 'the splatters of rain that remain from yesterday'. 'Squall' kind of tosses the vocabulary up and over a telephone wire too far above the rest. I mean, it's not even like, super-advanced, but it just doesn't fit in the same group of vocabulary you use in the rest, in my opinion. Unless you have a special attachment to it. =]
Trembling, when used to describe 'ache' here, doesn't really work for me. If it were a trembling sort of ache, it wouldn't allow him to be steady. I can get the image of an ache that flares and leaves and returns from this, but I don't think trembling meshes with the rest of it except in that dimension. =] If that's okay for you, that's okay for me. ^_^
I love the use of 'rhyme' here. It was beautiful and described the situation perfectly. I do not, however, like the 'for god's sake' you slipped in there. It was an attempt at adding to the character of the man, right? I think the sarcasm comes through adequately with the italicizing, actually, so that you don't have to interrupt the flow you have going with such an obvious little bit from him. ^_^
II. Big Things
One of the things I had a tough time with in this piece was a lack of characterization, but at the same time, I'm torn as to whether that fits in here and is fine, or if it really should be addressed. I think that just touching the surface for the women is absolutely appropriate, but I'm not so sure with the man. I think, if you could, you might weave just the slightest bit more detail into his thoughts and into the situation. We have no idea what is going on, and it is the building tension that is the focus and should be the focus, but if you slip slight things in, that can leave readers just the slightest bit more comfortable because they'll have some solid scrap to latch on to. ^_^
I think it's a lovely piece. Of course, people won't like it because it 'has no plot' or 'doesn't mean anything', but sometimes you just want to write a moment into words, and this is what I think you've accomplished, which, in my opinion, takes a lot more skill than coming up with any fantastic plots. ^_^
PM me with questions, love~
-Hannah-